English Painter, 1708-1776,English painter and illustrator. He was in London at the age of 10, and from 1718 until c. 1725 he was apprenticed to Robert Brown (d 1753), a decorative painter. From 1732 Hayman was employed as a scene painter at Goodman's Fields Theatre, where he painted allegorical works such as The King Attended by Peace, with Liberty and Justice Trampling on Tyranny and Oppression on the pit ceiling (destr.). He moved to Drury Lane Theatre in 1736, shortly before the Licensing Act closed Goodman's Fields. At Drury Lane he painted scenery for Thomas Arne's masque The Fall of Phaeton (1736) and was praised for his naturalistic landscapes. From the late 1730s he began accepting commissions for portraits and conversation pieces. His success in the field of portraiture rested on the dearth of good portrait painters in England at the time and his exploitation of a growing middle-class clientele. Hayman painted portraits of doctors, literary men and actors.   Related Paintings of Francis Hayman :. | Portrait of a Man | Lord Clive meeting with Mir Jafar at the Battle of Plassey in 1757 | Portrait of Francis Hayman | Unknown woman | Portrait of a Gentleman |
Related Artists:
FLORIS, Frans
Flemish Northern Renaissance Painter, ca.1516-1570
James Hamilton
Irish-born American Painter, 1819-1878, American painter of Irish birth. He emigrated to the USA and at the age of 15 arrived in Philadelphia, where he was encouraged to study art by the engraver John Sartain (1808-97). Hamilton had drawing lessons with local teachers and studied from English artists' manuals including that on oil painting by Samuel Prout; he was also influenced by the English watercolour technique of broad transparent washes. With these stylistic interests and his innate sensitivity to nature,
Jost Amman
(June 13, 1539, Zerich - March 17, 1591, Nuremberg, Bavaria) was a Swiss artist, celebrated chiefly for his woodcuts, done mainly for book illustrations. Amman was born in Zurich, the son of a professor of Classics and Logic. He was himself well-educated. Little of his personal history is known beyond the fact that he moved to Nuremberg in 1560, where he continued to reside until his death in March 1591. He worked initially with Virgil Solis, then a leading producer of book illustrations. His productiveness was very remarkable, as may be gathered from the statement of one of his pupils, that the drawings he made during a period of four years would have filled a hay wagon. A large number of his original drawings are in the Berlin print room. About 1,500 prints are attributed to him. He was one of the last major producers of woodcuts for books, as during his career engravings were gradually taking over that role. Although like most artists for woodcut he normally let a specialist formschneider cut the block to his drawing, he sometimes included both a cutter's knife and a quill pen in his signature on prints, suggesting he sometimes cut his own blocks. A series of engravings by Amman of the kings of France, with short biographies, appeared in Frankfurt in 1576. He also executed many of the woodcut illustrations for the Bible published at Frankfurt by Sigismund Feierabend. Another serial work, the Panoplia Omnium Liberalium Mechanicarum et Seden-tariarum Artium Genera Continens, containing 115 plates, is of great value. Amman's drawing is correct and spirited, and his delineation of the details of costume is minute and accurate. Paintings in oil and on glass are attributed to him, but none have been identified.